Camilla caporici. 2013. the dark lady. la rivoluzione shakespeariana nei sonetti alla dama bruna. passignano sul trasimeno: aguaplano Report as inadecuate




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SEDERI Yearbook 2015, 25

Author: Cristiano Ragni

Source: http://www.redalyc.org/articulo.oa?id=333543052009


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SEDERI Yearbook ISSN: 1135-7789 sederiyearbook@yahoo.es Spanish and Portuguese Society for English Renaissance Studies España Ragni, Cristiano Camilla Caporici.
2013.
The Dark Lady.
La Rivoluzione Shakespeariana nei Sonetti Alla Dama Bruna.
Passignano Sul Trasimeno: Aguaplano SEDERI Yearbook, núm.
25, 2015, pp.
171-173 Spanish and Portuguese Society for English Renaissance Studies Valladolid, España Available in: http:--www.redalyc.org-articulo.oa?id=333543052009 How to cite Complete issue More information about this article Journals homepage in redalyc.org Scientific Information System Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Non-profit academic project, developed under the open access initiative Camilla Caporicci.
2013 The Dark Lady.
La rivoluzione Shakespeariana nei Sonetti alla Dama Rruna Passignano Sul Trasimeno: Aguaplano Cristiano Ragni UnilCrsitá degli 5tudi di Perugia, Italy Shakespeares Dark Lady is undoubledly one 01 lhe mosl lamous characters in world lileralure.
However, among lhe series 01 pale and haughty ladies praised by poels lhroughoul lhe eenhuies, she stands out fay her uniqueness.
And the luain reason is not only that she is always relerred lo as -dark,- bul also lhal as sueh she is praised by lhe Bard: -Then will 1 swear beauly herself is black, I and al! lhey loul lhal lhy eomplexion laek- (132).
This alone, in lhe Renaissance world where -black- was usually associated with evil, should have sounded revolutionary.
However, as Caluilla Caporicci tmderlines in lhis gripping monograph, despile her palenl differenee with the ladies of the previous European poetic tradition, the Dark Lady has olten been lrealed superlieial!y by erities.
Whal lhis book conversely tries to reassess is how Shakespeares Lady is not only a paradoxical inversion of the Petrarchan lTIodel, but, most imporlantly, a way 01 engaging in a deeper analysis 01 lhe ontological truth underlying hUll1an nahu€ as a whole....





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