fr pt Présenter au lieu de représenter: une alternative à la question de lincarnation sur scène Apresentar em vez de representar: Uma AlternatiVa para a questão da encarnação no palco Report as inadecuate




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1 IRET - IRET - Institut de Recherches en Etudes Théâtrales - EA 3959 2 SeFeA - Scènes Francophones et Écritures de l’Altérité

Abstract : This essay analyses the question of incarnation on stage through the work of the South African director and choreographer Robyn Orlin. In her artwork, Orlin breaks the rules through the presentation of bodies, figures and types or faces often absent in western scenes. With the exploitation of this work it will be possible to develop a reflection around a new paradigm, which is becoming more important in the contemporary scene: to present rather than represent. We consider the actor, or the -act on stage-, as the provocative presence of the human being instead of the incarnation of a character.And so we ask: how does the new paradigm, i.e., the provocative presence of the human being instead of the incarnation, the presentation instead of representation, can be opened to a new way of thinking, seeing and using the actor on stage? How can this thus help creating a new imaginary, either in the production of the work or in the viewer’s reception phase?

Résumé : Através do trabalho de Robyn Orlin, diretora e coreógrafa nativa da Africa do Sul, explora-se a questão da encarnação no palco. No seu trabalho artístico, Orlin quebra as normas em vigor pela apresentação de corpos, figuras e tipos ou caras muitas vezes ausentes das ce-nas ocidentais. Com a exploração deste tra-balho será possível desenvolver uma reflexão em torno de um novo paradigma, o qual se afirma cada vez mais na cena contemporânea: o apresentar em vez do representar. Conside-ra-se o ator, ou seja, o - ato no palco - , como a presença provocativa do ser humano no lugar da encarnação de um personagem. E assim pergunta-se: como o novo paradigma, ou seja, a presença provocativa do ser humano em vez da encarnação, a apresentação no lugar da representação, pode abrir-se a uma nova ma-neira de pensar, ver e utilizar o ator no palco? Como pode assim ajudar a criar novos imagi-nários, seja na produção da obra ou na fase de recepção do espectador? Artes Cênicas. Teatro. Perfomance. Antropolo-gia. Corpo This essay analyses the question of incar-nation on stage through the work of the South African director and choreographer Robyn Or-lin. In her artwork, Orlin breaks the rules through the presentation of bodies, figures and types or faces often absent in western scenes. With the exploitation of this work it will be possible to develop a reflection around a new paradigm, which is becoming more important in the contemporary scene: to present rather than represent. We consider the actor, or the - act on stage - , as the provocative presence of the human being instead of the incarnation of a character. And so we ask: how does the new paradigm, i.e., the provocative presence of the human being instead of the incarnation, the presentation instead of representation, can be opened to a new way of thinking, seeing and using the actor on stage? How can this thus help creating a new imaginary, either in the production of the work or in the viewer-s reception phase? Performing Arts. Theatre. Performance. Anthropology Doutoranda no Laboratoire SeféA, IRET, Paris 3 – Sorbonne Nouvelle

Keywords : Anthropology Theatre Performance Performing Arts





Author: Isabelle Elizéon - Hubert -

Source: https://hal.archives-ouvertes.fr/



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