The Reception of Schumann in FranceReport as inadecuate

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1 Université Paris-Saclay 2 SLAM - Synergies Langues Arts Musique 3 UEVE - Université d-Évry-Val-d-Essonne

Abstract : The paper focuses on the first phase of the reception of Schumann in France in the 1830s. This period is characterized by an intensive cooperation between musical journals in Leipzig and Paris. At the end of the paper, the later reception is examined in the light of the process of appropriation of German music in France until the 1860s.

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Keywords : 19th Century music Music aesthetics Robert Schumann History of reception Franco-German relationships France

Mots-clés : Musique du XIXe siècle Relations franco-allemandes Histoire de la réception Réception - Appréciation Réception Esthétique musicale

Author: Damien Ehrhardt -



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